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Top Ten Lists by Critics and Filmmakers
Forrest J. Ackerman
(Horror Film Expert)
Source: Movies Unlimited Catalog, 1997
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- Metropolis (1927, Fritz Lang)
- Things to Come (1936, William Cameron Menzies)
- King Kong (1933, Merian C. Cooper, Ernest B. Schoedsack)
- Frankenstein (1931, James Whale)
- The Day the Earth Stood Still (1951, Robert Wise)
- Phantom of the Opera (1943, Arthur Lubin)
- The Invisible Man (1933, James Whale)
- The Exorcist (1973, William Friedkin)
- High Treason (1929, Maurice Elvey)
- London After Midnight (1927, Tod Browning)
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Nestor Almendros
(Cinematographer: Claire's Knee, Days of Heaven) |
- Citizen Kane (1941, Orson Welles)
- The 400 Blows (1959, Francois Truffaut)
- Alexander Nevsky (1938, Sergei Eisenstein)
- Design for Living (1933, Ernst Lubitsch)
- The Crowd (1928, King Vidor)
- The Earrings of Madame de... (1953, Max Ophuls)
- The Devil Is a Woman (1935, Josef von Sternberg)
- Sansho Dayu (1954, Kenji Mizoguchi)
- Rebecca (1940, Alfred Hitchcock)
- Nights of Cabiria (1957, Federico Fellini)
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Pedro Almodovar
(Filmmaker: Women on the Verge of a Nervous Breakdown, Talk to Her) |
- The Night of the Hunter (1955, Charles Laughton)
- The Rules of the Game (1939, Jean Renoir)
- All About Eve (1950, Joseph L. Mankiewicz)
- Leave Her to Heaven (1945, John M. Stahl)
- North by Northwest (1959, Alfred Hitchcock)
- Out of the Past (1947, Jacques Tourneur)
- Midnight (1939, Mitchell Leisen)
- Some Like It Hot (1959, Billy Wilder)
- Touch of Evil (1958, Orson Welles)
- Senso (1954, Luchino Visconti)
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Allison Anders
(Filmmaker: Gas Food Lodging, Grace of My Heart) |
- All That Heaven Allows (1955, Douglas Sirk)
- Alice in the Cities (1974, Wim Wenders)
- The Hours and Times (1992, Christopher Munch)
- The Man from Laramie (1955, Anthony Mann)
- Letter from an Unknown Woman (1948, Max Ophuls)
- A Hard Day's Night (1964, Richard Lester)
- Woman on the Beach (1947, Jean Renoir)
- Naked (1993, Mike Leigh)
- The Age of Innocence (1993, Martin Scorsese)
- There's Always Tomorrow (1956, Douglas Sirk)
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Jeffrey M. Anderson
(Film Critic: Combustible Celluloid, Las Vegas Weekly, San Francisco Examiner, Common Sense Media) |
- The Passion of Joan of Arc (1928, Carl Theodor Dreyer)
- Sherlock Jr. (1924, Buster Keaton)
- Modern Times (1936, Charles Chaplin)
- Chimes at Midnight (1966, Orson Welles)
- Rio Bravo (1959, Howard Hawks)
- The Old Dark House (1932, James Whale)
- The Discreet Charm of the Bourgeoisie (1972, Luis Buñuel)
- Night of the Living Dead (1968, George A. Romero)
- Yi Yi (2000, Edward Yang)
- L'Avventura (1960, Michelangelo Antonioni)
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Lindsay Anderson
(Filmmaker: if..., Oh Lucky Man!) |
- L'Age D'Or (1930, Luis Bunuel & Salvador Dali)
- A Diary for Timothy (1945, Humphrey Jennings)
- Earth (1930, Alexander Dovzhenko)
- A Generation (1954, Andrzej Wajda)
- If... (1968, Lindsay Anderson)
- The Maltese Falcon (1941, John Huston)
- Meet Me in St. Louis (1944, Vincente Minnelli)
- They Were Expendable (1945, John Ford)
- Tokyo Story (1953, Yasujiro Ozu)
- Zero for Conduct (1933, Jean Vigo)
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Theo Angelopoulos
(Filmmaker: The Traveling Players, Eternity and a Day) |
- Citizen Kane (1941, Orson Welles)
- Ivan the Terrible (1943, Sergei Eisenstein)
- Ordet (1955, Carl Theodor Dreyer)
- 8 1/2 (1963, Federico Fellini)
- Nosferatu (1922, F.W. Murnau)
- L'Avventura (1960, Michelangelo Antonioni)
- The Gold Rush (1925, Charles Chaplin)
- Ugetsu (1953, Kenji Mizoguchi)
- Pickpocket (1959, Robert Bresson)
- Persona (1966, Ingmar Bergman)
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Gillian Armstrong
(Filmmaker: My Brilliant Career, Little Women) |
- The Bicycle Thief (1947, Vittorio De Sica)
- Citizen Kane (1941, Orson Welles)
- Casablanca (1942, Michael Curtiz)
- The Godfather Part II (1974, Francis Ford Coppola)
- Jules and Jim (1961, Francois Truffaut)
- Gone with the Wind (1939, Victor Fleming)
- La Strada (1954, Federico Fellini)
- Seven Samurai (1954, Akira Kurosawa)
- The Seventh Seal (1956, Ingmar Bergman)
- The Wizard of Oz (1939, Victor Fleming)
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Olivier Assayas
(Filmmaker: Irma Vep; Late August, Early September) |
- Andrei Rublev (1966, Andrei Tarkovsky)
- L'Argent (1983, Robert Bresson)
- La Dolce Vita (1959, Federico Fellini)
- In Girum imus nocte et consumimur igni (1978, Guy Debord)
- Ludwig (1972, Luchino Visconti)
- A Man Escaped (1956, Robert Bresson)
- Mirror (1975, Andrei Tarkovsky)
- Ordet (1955, Carl Theodor Dreyer)
- Playtime (1967, Jacques Tati)
- Scenes from a Marriage (1974, Ingmar Bergman)
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Clive Barker
(Filmmaker: Hellraiser, Night Breed)
Source: Movies Unlimited Catalog, 1997
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- Andrei Rublev (1966, Andrei Tarkovsky)
- Fantasia (1940, Ben Sharpsteen)
- The Exorcist (1973, William Friedkin)
- Fellini Satyricon (1970, Federico Fellini)
- Gone with the Wind (1939, Victor Fleming)
- Ben-Hur (1959, William Wyler)
- Bride of Frankenstein (1935, James Whale)
- Pinocchio (1940, Ben Sharpsteen)
- Meet Me in St. Louis (1944, Vincente Minnelli)
- Blade Runner (1982, Ridley Scott)
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Paul Bartel
(Filmmaker: Death Race 2000, Eating Raoul) |
- Citizen Kane (1941, Orson Welles)
- Children of Paradise (1945, Marcel Carne)
- The Red Shoes (1948, Michael Powell & Emeric Pressburger)
- The Best Years of Our Lives (1946, William Wyler)
- A nous la liberte (1931, Rene Clair)
- Pinocchio (1940, Ben Sharpsteen)
- Lacombe, Lucien (1974, Louis Malle)
- City Lights (1931, Charles Chaplin)
- The Cabinet of Dr. Caligari (1919, Robert Wiene)
- The 39 Steps (1935, Alfred Hitchcock)
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Andre Bazin
(Editor: Cahiers du Cinema) |
- Les Vampires (1915-16, Louis Feuillade)
- The Pilgrim (1923, Charles Chaplin)
- Broken Blossoms (1919, D.W. Griffith)
- Sunrise (1927, F.W. Murnau)
- Greed (1924, Erich von Stroheim)
- The Rules of the Game (1939, Jean Renoir)
- Le Jour se leve (1939, Marcel Carne)
- The Little Foxes (1941, William Wyler)
- Les Dames du Bois de Boulongne (1945, Robert Bresson)
- The Bicycle Thief (1949, Vittorio De Sica)
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Robert Benton
(Filmmaker: Kramer vs. Kramer, Nobody's Fool) |
- Rio Bravo (1959, Howard Hawks)
- The Wild Child (1970, Francois Truffaut)
- Charley Varrick (1973, Don Siegel)
- The Rules of the Game (1939, Jean Renoir)
- My Night at Maud's (1969, Eric Rohmer)
- Children of Paradise (1945, Marcel Carne)
- The Magnificent Ambersons (1942, Orson Welles)
- The Tree of Wooden Clogs (1978, Ermanno Olmi)
- The Fallen Idol (1948, Carol Reed)
- Claire's Knee (1971, Eric Rohmer)
- My Darling Clementine (1946, John Ford)
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Bernardo Bertolucci
(Filmmaker: The Conformist, Last Tango in Paris) |
- The Rules of the Game (1939, Jean Renoir)
- Sansho Dayu (1954, Kenji Mizoguchi)
- Germany Year Zero (1947, Roberto Rossellini)
- Breathless (1959, Jean-Luc Godard)
- Stagecoach (1939, John Ford)
- Blue Velvet (1986, David Lynch)
- City Lights (1931, Charles Chaplin)
- Marnie (1964, Alfred Hitchcock)
- Accatone (1961, Pier Paolo Pasolini)
- Touch of Evil (1958, Orson Welles)
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Antonia Bird
(Filmmaker: Priest, Ravenous) |
- Mean Streets (1973, Martin Scorsese)
- Apocalypse Now (1979, Francis Ford Coppola)
- GoodFellas (1990, Martin Scorsese)
- 12 Angry Men (1957, Sidney Lumet)
- Local Hero (1983, Bill Forsyth)
- Don't Look Now (1973, Nicholas Roeg)
- Raising Arizona (1987, Joel and Ethan Coen)
- Five Easy Pieces (1970, Bob Rafelson)
- Full Metal Jacket (1987, Stanley Kubrick)
- Broadcast News (1987, James L. Brooks)
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John Boorman
(Filmmaker: Point Blank, The General) |
- Seven Samurai (1954, Akira Kurosawa)
- The Seventh Seal (1956, Ingmar Bergman)
- 8 1/2 (1953, Federico Fellini)
- That Obscure Object of Desire (1977, Luis Bunuel)
- Dr. Strangelove (1964, Stanley Kubrick)
- Citizen Kane (1941, Orson Welles)
- Sunset Boulevard (1950, Billy Wilder)
- Solaris (1972, Andrei Tarkovsky)
- La Roue (1922, Abel Gance)
- The Birth of a Nation (1915, D.W. Griffith)
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David Bordwell
(Film scholar: The Way Hollywood Tells It: Story and Style in Modern Movies) |
- The Young Girls of Rochefort (1967, Jacques Demy)
- Early Summer (1951, Yasujiro Ozu)
- Playtime (1967, Jacques Tati)
- Sansho Dayu (1954, Kenji Mizoguchi)
- Through the Olive Trees (1994, Abbas Kiarostami)
- Simple Men (1992, Hal Hartley)
- Le Crime de Monsieur Lange (1936, Jean Renoir)
- The Chinese Feast (1995, Tsui Hark)
- His Girl Friday (1940, Howard Hawks)
- Meet Me in St. Louis (1944, Vincente Minnelli)
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Ray Bradbury
(Author: Fahrenheit 451, Something Wicked This Way Comes)
Source: Movies Unlimited Catalog, 1997
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- King Kong (1933, Merian C. Cooper/Ernest B. Schoedsack)
- Fantasia (1940, Ben Sharpsteen)
- Citizen Kane (1941, Orson Welles)
- The Phantom of the Opera (1925, Rupert Julian)
- Lawrence of Arabia (1962, David Lean)
- Amarcord (1974, Federico Fellini)
- Some Like It Hot (1959, Billy Wilder)
- Farewell My Lovely (1975, Dick Richards)
- The Producers (1968, Mel Brooks)
- A Passage to India (1984, David Lean)
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Robert Bresson
(Filmmaker: Diary of a Country Priest, Pickpocket) |
- The Gold Rush (1925, Charles Chaplin)
- City Lights (1931, Charles Chaplin)
- Battleship Potemkin (1925, Sergei Eisenstein)
- Brief Encounter (1945, David Lean)
- The Bicycle Thief (1947, Vittorio De Sica)
- Man of Aran (1934, Robert Flaherty)
- Louisiana Story (1948, Robert Flaherty)
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Joe Bob Briggs
(Film Critic: Joe Bob Goes to the Drive-In)
Source: Movies Unlimited Catalog, 1997
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- The Texas Chainsaw Massacre (1974, Tobe Hooper)
- Hellraiser (1987, Clive Barker)
- Night of the Living Dead (1968, George A. Romero)
- Basket Case (1982, Frank Henelotter)
- Demons (1986, Lamberto Bava)
- The Evil Dead (1983, Sam Raimi)
- The Hills Have Eyes (1977, Wes Craven)
- Suspiria (1977, Dario Argento)
- Enter the Dragon (1973, Robert Clouse)
- Shaft (1971, Gordon Parks)
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Georgia Brown
(Film Critic: The Village Voice) |
- I Was Born But... (1932, Yasujiro Ozu)
- L'Atalante (1934, Jean Vigo)
- A Man Escaped (1956, Robert Bresson)
- Vivra sa vie (1962, Jean-Luc Godard)
- The Rules of the Game (1939, Jean Renoir)
- The Searchers (1956, John Ford)
- Sherlock Jr. (1924, Buster Keaton)
- Sunrise (1927, F.W. Murnau)
- Vertigo (1958, Alfred Hitchcock)
- Voyage to Italy (1953, Roberto Rossellini)
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Luis Bunuel
(Filmmaker: The Exterminating Angel, The Discreet Charm of the Bourgeoisie) |
- Underworld (1927, Josef von Sternberg)
- The Gold Rush (1925, Charles Chaplin)
- The Bicycle Thief (1947, Vittorio De Sica)
- Battleship Potemkin (1925, Sergei Eisenstein)
- Portait of Jennie (1948, William Dieterle)
- Cavalcade (1933, Frank Lloyd)
- White Shadows in the South Seas (1928, W.S. Van Dyle/Robert Flaherty)
- Dead of Night (1945, Alberto Cavalcanti/Charles Crichton/Basil Deardon/Robert Hamer)
- L'Age d'Or (1930, Luis Bunuel/Salvador Dali)
- I Am a Fugitive from a Chain Gang (1932, Mervyn LeRoy)
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Charles Burnett
(Filmmaker: Killer of Sheep, To Sleep with Anger) |
- The Bicycle Thief (1949, Vittorio De Sica)
- Emitai (1971, Ousmane Sembene)
- Alexander Nevsky (1938, Sergei Eisenstein)
- The Tree of Wooden Clogs (1978, Ermanno Olmi)
- Shane (1953, George Stevens)
- The Swimmer (1968, Frank Perry)
- Citizen Kane (1941, Orson Welles)
- The Maltese Falcon (1941, John Huston)
- Dodes'ka-den (1970, Akira Kurosawa)
- The Shop on Main Street (1965, Jan Kadar/Elmar Klos)
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Ken Burns
(Filmmaker: The Civil War, Baseball)
Source: Movies Unlimited Catalog, 1997
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- Seven Samurai (1954, Akira Kurosawa)
- The Discreet Charm of the Bourgeoisie (1972, Luis Bunuel)
- Raging Bull (1980, Martin Scorsese)
- Citizen Kane (1941, Orson Welles)
- The Rules of the Game (1939, Jean Renoir)
- Last Tango in Paris (1972, Bernardo Bertolucci)
- Pelle the Conqueror (1988, Bille August)
- The Tree of Wooden Clogs (1978, Ermanno Olmi)
- Chinatown (1974, Roman Polanski)
- Vertigo (1958, Alfred Hitchcock)
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Michael Caton-Jones
(Filmmaker: Scandal, Doc Hollywood, Rob Roy) |
- Seven Samurai (1954, Akira Kurosawa)
- Grand Illusion (1937, Jean Renoir)
- Ikiru (1952, Akira Kurosawa)
- My Darling Clementine (1946, John Ford)
- Midnight Cowboy (1969, John Schlesinger)
- L'Atalante (1934, Jean Vigo)
- The Maggie (1953, Alexander Mackendrick)
- The Awful Truth (1937, Leo McCarey)
- Show People (1928, King Vidor)
- The Philadelphia Story (1940, George Cukor)
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Vincent Canby
(Film Critic: The New York Times) |
- Intolerance (1916, D.W. Griffith)
- The Circus (1928, Charles Chaplin)
- The General (1927, Buster Keaton)
- Sherlock Jr. (1924, Buster Keaton)
- Nights of Cabiria (1957, Federico Fellini)
- Some Like It Hot (1959, Billy Wilder)
- Rear Window (1954, Alfred Hitchcock)
- The Magnificent Ambersons (1942, Orson Welles)
- Weekend (1967, Jean-Luc Godard)
- Badlands (1973, Terrence Malick)
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Charles Champlin
(Film Critic)
Source: Movies Unlimited Catalog, 1997
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- Citizen Kane (1941, Orson Welles)
- The Godfather Part II (1974, Francis Ford Coppola)
- The Godfather (1972, Francis Ford Coppola)
- The Gold Rush (1925, Charles Chaplin)
- Mr. Smith Goes to Washington (1939, Frank Capra)
- Gone with the Wind (1939, Victor Fleming)
- Show People (1928, King Vidor)
- All That Jazz (1979, Bob Fosse)
- Chinatown (1974, Roman Polanski)
- The Maltese Falcon (1941, John Huston)
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Jackie Chan
(Filmmaker: Project A II, Drunken Master II) |
- The General (1927, Buster Keaton)
- City Lights (1931, Charles Chaplin)
- Rocky (1976, John G. Avildsen)
- War and Peace (1968, Sergei Bondarchuk)
- Seven Samurai (1954, Akira Kurosawa)
- Gone with the Wind (1939, Victor Fleming)
- Jurassic Park (1993, Steven Spielberg)
- My Fair Lady (1964, George Cukor)
- Pocketful of Miracles (1961, Frank Capra)
- Lawrence of Arabia (1962, David Lean)
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Michel Ciment
(Film Critic: Positif) |
- Barry Lyndon (1975, Stanley Kubrick)
- L'Atalante (1934, Jean Vigo)
- The Rules of the Game (1939, Jean Renoir)
- The Earrings of Madame de... (1953, Max Ophuls)
- Sunrise (1927, F.W. Murnau)
- The General (1927, Buster Keaton)
- The Travelling Players (1975, Theo Angelopoulos)
- Ugetsu (1953, Kenji Mizoguchi)
- White Heat (1949, Raoul Walsh)
- Salvatore Giuliano (1962, Francesco Rosi)
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Ethan Coen
(Filmmaker: Fargo; O Brother, Where Art Thou?) |
- Brother's Keeper (1992, Joe Berlinger/Bruce Sinofsky)
- Il Bidone (1955, Federico Fellini)
- Salesman (1969, Albert & David Maysles)
- The Bad News Bears (1976, Michael Ritchie)
- The Fortune (1975, Mike Nichols)
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Joel Coen
(Filmmaker: Fargo; O Brother, Where Art Thou?) |
- The Fortune (1975, Mike Nichols)
- High and Low (1963, Akira Kurosawa)
- Dames (1934, Ray Enright)
- Separate Tables (1958, Delbert Mann)
- Where Eagles Dare (1968, Brian G. Hutton)
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Roger Corman
(Filmmaker: A Bucket of Blood, The Masque of the Red Death)
Source: Sight & Sound Poll, 2002
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- Battleship Potemkin (1925, Sergei Eisenstein)
- Citizen Kane (1941, Orson Welles)
- The Seventh Seal (1956, Ingmar Bergman)
- Lawrence of Arabia (1962, David Lean)
- The Godfather (1972, Francis Ford Coppola)
- The Grapes of Wrath (1940, John Ford)
- Shane (1953, George Stevens)
- On the Waterfront (1954, Elia Kazan)
- Star Wars (1977, George Lucas)
- The Cabinet of Dr. Caligari (1919, Robert Wiene)
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Alex Cox
(Filmmaker: Repo Man, Sid & Nancy) |
- Citizen Kane (1941, Orson Welles)
- The Devils (1971, Ken Russell)
- The Exterminating Angel (1962, Luis Bunuel)
- King Kong (1933, Merian C. Cooper/Ernest B. Schoedsack)
- The Mattei Affair (1973, Francesco Rosi)
- O Lucky Man! (1973, Lindsay Anderson)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- Throne of Blood (1957, Akira Kurosawa)
- The Wages of Fear (1953, H.G. Clouzot)
- The War Game (1967, Peter Watkins)
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John Dahl
(Filmmaker: Red Rock West, The Last Seduction) |
- Chinatown (1974, Roman Polanski)
- A Clockwork Orange (1971, Stanley Kubrick)
- Crimes and Misdemeanors (1989, Woody Allen)
- Double Indemnity (1944, Billy Wilder)
- The Godfather (1972, Francis Ford Coppola)
- Once Upon a Time in the West (1969, Sergio Leone)
- Schindler's List (1993, Steven Spielberg)
- Sunset Boulevard (1950, Billy Wilder)
- The Treasure of the Sierra Madre (1948, John Huston)
- Unforgiven (1992, Clint Eastwood)
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Joe Dante
(Filmmaker: Gremlins, Small Soldiers)
Source: Sight & Sound Poll, 2002
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- Citizen Kane (1941, Orson Welles)
- City Lights (1931, Charles Chaplin)
- 8 1/2 (1963, Federico Fellini)
- Children of Paradise (1945, Marcel Carne)
- The Dead (1960, Stan Brakhage)
- Rashomon (1950, Akira Kurosawa)
- Psycho (1960, Alfred Hitchcock)
- Raging Bull (1980, Martin Scorsese)
- The Searchers (1956, John Ford)
- Once Upon a Time in the West (1969, Sergio Leone)
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Manohla Dargis
(Film critic: Los Angeles Times) |
- Au hasard Balthazar (1966, Robert Bresson)
- Barry Lyndon (1975, Stanley Kubrick)
- The Godfather/The Godfather Part II (1972-74, Francis Ford Coppola)
- Grand Illusion (1937, Jean Renoir)
- Masculin-Feminin (1966, Jean-Luc Godard)
- The Puppetmaster (1993, Hou Hsiao-hsien)
- Scenes from Under Childhood (1967, Stan Brakhage)
- Some Like It Hot (1959, Billy Wilder)
- Tokyo Story (1953, Yasujiro Ozu)
- Touch of Evil (1958, Orson Welles)
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Terence Davies
(Filmmaker: Distant Voices, Still Lives; The House of Mirth) |
- Singin' in the Rain (1952, Stanley Donen/Gene Kelly)
- Kind Hearts and Coronets (1949, Robert Hamer)
- Sweet Smell of Success (1957, Alexander Mackendrick)
- Cries and Whispers (1972, Ingmar Bergman)
- The Age of Innocence (1993, Martin Scorsese)
- The Searchers (1956, John Ford)
- The Happiest Days of Your Life (1950, Frank Launder)
- Apu Trilogy (1955-59, Satyajit Ray)
- Sunset Boulevard (1950, Billy Wilder)
- Meet Me in St. Louis (1944, Vincente Minnelli)
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Jonathan Demme
(Filmmaker: The Silence of the Lambs, The Agronomist) |
- Shoot the Piano Player (1960, Francois Truffaut)
- The Conformist (1970, Bernardo Bertolucci)
- Yojimbo (1961, Akira Kurosawa)
- Nothing But a Man (1964, Michael Roemer)
- Antonio das Mortes (1969, Glauber Rocha)
- Black Orpheus (1959, Marcel Camus)
- Five Easy Pieces (1970, Bob Rafelson)
- Muriel (1963, Alain Resnais)
- Coming Home (1978, Hal Ashby)
- Ceddo (1977, Ousmane Sembene)
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David Denby
(Film critic: New Yorker) |
- L'Avventura (1960, Michelangelo Antonioni)
- Citizen Kane (1941, Orson Welles)
- The Decalogue (1988, Krzysztof Kieslowski)
- The Godfather/The Godfather Part II (1972-74, Francis Ford Coppola)
- The Rules of the Game (1939, Jean Renoir)
- Seven Samurai (1954, Akira Kurosawa)
- Sunrise (1927, F.W. Murnau)
- The Third Man (1949, Carol Reed)
- Weekend (1967, Jean-Luc Godard)
- Vertigo (1958, Alfred Hitchcock)
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Ernest Dickerson
(Filmmaker: Juice, Bones) |
- Citizen Kane (1941, Orson Welles)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- In the Mood for Love (2001, Wong Kar-wai)
- Vertigo (1958, Alfred Hitchcock)
- Brazil (1985, Terry Gilliam)
- Rashomon (1950, Akira Kurosawa)
- The Godfather/The Godfather Part II (1972-74, Francis Ford Coppola)
- Malcolm X (1992, Spike Lee)
- Ikiru (1952, Akira Kurosawa)
- Blade Runner (1982, Ridley Scott)
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Roger Ebert
(Film Critic: Chicago Sun-Times)
Source: Sight & Sound Poll, 2002
|
- Aguirre, the Wrath of God (1972, Werner Herzog)
- Apocalypse Now (1979, Francis Ford Coppola)
- Citizen Kane (1941, Orson Welles)
- The Decalogue (1988, Krzysztof Kieslowski)
- La Dolce Vita (1959, Federico Fellini)
- The General (1927, Buster Keaton)
- Raging Bull (1980, Martin Scorsese)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- Tokyo Story (1953, Yasujiro Ozu)
- Vertigo (1958, Alfred Hitchcock)
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Federico Fellini
(Filmmaker: Nights of Cabiria, 8 1/2) |
- The Circus/City Lights/Monsieur Verdoux (1928,31,47, Charles Chaplin)
- Stagecoach (1939, John Ford)
- any Marx Brothers or Laurel and Hardy
- Rashomon (1950, Akira Kurosawa)
- The Discreet Charm of the Bourgeoisie (1972, Luis Bunuel)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- Paisan (1946, Roberto Rossellini)
- The Birds (1963, Alfred Hitchcock)
- Wild Strawberries (1957, Ingmar Bergman)
- 8 1/2 (1963, Federico Fellini)
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Milos Forman
(Filmmaker: The Fireman's Ball, Amadeus) |
- Amarcord (1974, Federico Fellini)
- American Graffiti (1973, George Lucas)
- Children of Paradise (1945, Marcel Carne)
- Citizen Kane (1941, Orson Welles)
- City Lights (1931, Charles Chaplin)
- The Deer Hunter (1978, Michael Cimino)
- Giant (1956, George Stevens)
- The Godfather (1972, Francis Ford Coppola)
- Miracle in Milan (1950, Vittorio De Sica)
- Raging Bull (1980, Martin Scorsese)
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Samuel Fuller
(Filmmaker: Pickup on South Street, Shock Corridor) |
- The Informer (1935, John Ford)
- The Gold Rush (1925, Charles Chaplin)
- Battleship Potemkin (1925, Sergei Eisenstein)
- Rashomon (1950, Akira Kurosawa)
- Citizen Kane (1941, Orson Welles)
- Pierrot le Fou (1965, Jean-Luc Godard)
- The 400 Blows (1959, Francois Truffaut)
- The Last Emperor (1987, Bernardo Bertolucci)
- La Dolce Vita (1959, Federico Fellini)
- Brief Encounter (1945, David Lean)
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Terry Gilliam
(Filmmaker: Brazil, Fear and Loathing in Las Vegas) |
- Citizen Kane (1941, Orson Welles)
- Seven Samurai (1954, Akira Kurosawa)
- The Seventh Seal (1957, Ingmar Bergman)
- 8 1/2 (1963, Federico Fellini)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- Sherlock Jr. (1924, Buster Keaton)
- Pinocchio (1940, Ben Sharpsteen)
- Children of Paradise (1945, Marcel Carne)
- One-Eyed Jacks (1960, Marlon Brando)
- The Apartment (1960, Billy Wilder)
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Amos Gitai
(Filmmaker: Kippur, Kadosh) |
- Teorema (1968, Pier Poalo Pasolini)
- Flowers of St. Francis (1950, Roberto Rossellini)
- Paisan (1946, Roberto Rossellini)
- Shock Corridor (1963, Samuel Fuller)
- Some Came Running (1958, Vincente Minnelli)
- The River (1951, Jean Renoir)
- The Car (19??, Ritwik Ghatak)
- The Music Room (1958, Satyajit Ray)
- The Age of the Earth (1980, Glauber Rocha)
- The Quiet Man (1952, John Ford)
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Owen Gleiberman
(Film critic: Entertainment Weekly) |
- Citizen Kane (1941, Orson Welles)
- The Godfather (1972, Francis Ford Coppola)
- It's a Wonderful Life (1946, Frank Capra)
- Psycho (1960, Alfred Hitchcock)
- Nashville (1975, Robert Altman)
- The Philadelphia Story (1940, George Cukor)
- Scorpio Rising (1964, Kenneth Anger)
- The Wizard of Oz (1939, Victor Fleming)
- Mean Streets (1973, Martin Scorsese)
- Natural Born Killers (1994, Oliver Stone)
|
Jean-Luc Godard
(Film critic: Cahiers du Cinema; Filmmaker: Breathless, Contempt) |
Top Ten American Films from the Sound Era:
- Scarface (1932, Howard Hawks)
- The Great Dictator (1940, Charles Chaplin)
- Vertigo (1958, Alfred Hitchcock)
- The Searchers (1956, John Ford)
- Singin' in the Rain (1952, Stanley Donen/Gene Kelly)
- The Lady from Shanghai (1948, Orson Welles)
- Bigger Than Life (1956, Nicholas Ray)
- Angel Face (1953, Otto Preminger)
- To Be or Not to Be (1942, Ernst Lubitsch)
- Dishonored (1931, Josef von Sternberg)
Top Six French Films Since the Liberation:
- Le Plaisir (1951, Max Ophuls)
- La Pyramide humaine (1961, Jean Rouch)
- The Testament of Orpheus (1960, Jean Cocteau)
- Le Testament du Docteur Cordelier (1961, Jean Renoir)
- Pickpocket (1959, Robert Bresson)
- Les Godelureaux (1961, Claude Chabrol)
|
Peter Greenaway
(Filmmaker: The Cook, the Thief, His Wife and Her Lover; The Pillow Book) |
- Last Year at Marienbad (1961, Alain Resnais)
- Breathless (1959, Jean-Luc Godard)
- La Notte (1961, Michelangelo Antonioni)
- The Rules of the Game (1939, Jean Renoir)
- The Seventh Seal (1957, Ingmar Bergman)
- Strike (1924, Sergei Eisenstein)
- Throne of Blood (1957, Akira Kurosawa)
- Fellini's Casanova (1976, Federico Fellini)
- 8 1/2 (1963, Federico Fellini)
- The Marquise of O (1976, Eric Rohmer)
|
Stuart Gordon
(Filmmaker: Re-Animator, From Beyond) |
- Behind the Green Door (1972, Jim and Artie Mitchell)
- Bride of Frankenstein (1935, James Whale)
- Duck Soup (1933, Leo McCarey)
- The Godfather (1972, Francis Ford Coppola)
- King Kong (1933, Merian C. Cooper/Ernest B. Schoedsack)
- Psycho (1960, Alfred Hitchcock)
- Rosemary's Baby (1968, Roman Polanski)
- Satyricon (1970, Federico Fellini)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- The Tingler (1959, William Castle)
- The Wild Bunch (1969, Sam Peckinpah)
|
Michael Haneke
(Filmmaker: Code Unknown, The Piano Teacher) |
- Au Hasard Balthazar (1966, Robert Bresson)
- Lancelot du Lac (1974, Robert Bresson)
- Mirror (1975, Andrei Tarkovsky)
- Salo (1975, Pier Paolo Pasolini)
- The Exterminating Angel (1962, Luis Bunuel)
- The Gold Rush (1925, Charles Chaplin)
- Psycho (1960, Alfred Hitchcock)
- A Woman Under the Influence (1974, John Cassavetes)
- Germany Year Zero (1947, Roberto Rossellini)
- L'Eclisse (1962, Michelangelo Antonioni)
|
Hal Hartley
(Filmmaker: The Unbelievable Truth, Trust) |
- Hail Mary (1985, Jean-Luc Godard)
- The Rules of the Game (1939, Jean Renoir)
- Ordet (1955, Carl Theodor Dreyer)
- Diary of a Country Priest (1950, Robert Bresson)
- Ivan the Terrible Part I (1943, Sergei Eisenstein)
- Faces (1968, John Cassavetes)
- A Hard Day's Night (1964, Richard Lester)
- Nosferatu (1922, F.W. Murnau)
- Badlands (1973, Terrence Malick)
- Kings of the Road (1976, Wim Wenders)
|
Todd Haynes
(Filmmaker: Safe, Far from Heaven) |
- All That Heaven Allows (1955, Douglas Sirk)
- Un Chant d'Amour (1950, Jean Genet)
- Citizen Kane (1941, Orson Welles)
- Ali: Fear Eats the Soul (1974, Rainer Werner Fassbinder)
- Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975, Chantal Akerman)
- Nashville (1975, Robert Altman)
- The Night of the Hunter (1955, Charles Laughton)
- Performance (1970, Donald Cammell/Nicolas Roeg)
- The Reckless Moment (1949, Max Ophlus)
- Vertigo (1958, Alfred Hitchcock)
|
Monte Hellman
(Filmmaker: The Shooting, Two-Lane Blacktop) |
- Spirit of the Beehive (1973, Victor Erice)
- A Slave of Love (1976, Nikita Mikhalkov)
- Outcast of the Islands (1951, Carol Reed)
- Persona (1966, Ingmar Bergman)
- Broken Blossoms (1919, D.W. Griffith)
- Stavisky... (1974, Alain Resnais)
- A Place in the Sun (1951, George Stevens)
- Sherlock Jr. (1924, Buster Keaton)
- It's a Wonderful Life (1946, Frank Capra)
- Celine and Julie Go Boating (1974, Jacques Rivette)
|
Werner Herzog
(Filmmaker: Aguirre, the Wrath of God; Lessons of Darkness) |
- Cane Toads: An Unnatural History (1988, Mark Lewis)
- Fast, Cheap & Out of Control (1997, Errol Morris)
- Forest of Bliss (1986, Robert Gardner)
- Good News: Von Kolporteuren, toten Hunden und anderen Wienern (1990, Ulrich Seidl)
- Letter from Siberia (1958, Chris Marker)
- Les Maitres Fous (1955, Jean Rouch)
- Nanook of the North (1922, Robert Flaherty)
- Spend It All (1972, Les Blank)
|
J. Hoberman
(Film Critic: Village Voice) |
- Flaming Creatures (1963, Jack Smith)
- The Girl from Chicago (1927, Oscar Micheaux)
- Man with a Movie Camera (1929, Dziga Vertov)
- Pather Panchali (1955, Satyajit Ray)
- Rose Hobart (1936, Joseph Cornell)
- The Rules of the Game (1939, Jean Renoir)
- Shoah (1985, Claude Lanzmann)
- Two or Three Things I Know About Her (1966, Jean-Luc Godard)
- Les Vampires (1915-16, Louis Feuillade)
- Vertigo (1958, Alfred Hitchcock)
|
Gilles Jacob
(Film Programmer: Cannes Film Festival) |
- L'Atalante (1934, Jean Vigo)
- Earth (1930, Alexander Dovzhenko)
- The Empress Yang Kwei-Fei (1955, Kenji Mizoguchi)
- Fanny and Alexander (1983, Ingmar Bergman)
- Ikiru (1952, Akira Kurosawa)
- The Last Laugh (1924, F.W. Murnau)
- The Music Room (1958, Satyajit Ray)
- The Apprenticeship (1939, Mark Donskoi)
- Nanook of the North (1922, Robert J. Flaherty)
- Our Daily Bread (1934, King Vidor)
|
Jim Jarmusch
(Filmmaker: Stranger than Paradise, Dead Man) |
- L'Atalante (1934, Jean Vigo)
- Tokyo Story (1953, Yasujiro Ozu)
- They Live by Night (1949, Nicholas Ray)
- Bob le Flambeur (1955, Jean-Pierre Melville)
- Sunrise (1927, F.W. Murnau)
- The Cameraman (1928, Buster Keaton/Edward Sedgwick)
- Mouchette (1967, Robert Bresson)
- Seven Samurai (1954, Akira Kurosawa)
- Broken Blossoms (1919, D.W. Griffith)
- Open City (1945, Roberto Rossellini)
|
Kent Jones
(Film Critic: Film Comment) |
- Sunrise (1927, F.W. Murnau)
- The Story of the Late Chrysanthemums (1939, Kenji Mizoguchi)
- Wagon Master (1950, John Ford)
- The Magnificent Ambersons (1942, Orson Welles)
- Voyage to Italy (1953, Roberto Rossellini)
- Ordet (1955, Carl Theodor Dreyer)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- A Woman Under the Influence (1974, John Cassavetes)
- Fanny and Alexander (1983, Ingmar Bergman)
- L'Argent (1983, Robert Bresson)
|
Terry Jones
(Filmmaker: Monty Python and the Holy Grail) |
- Annie Hall (1977, Woody Allen)
- Apocalypse Now (1979, Francis Ford Coppola)
- Duck Soup (1933, Leo McCarey)
- Fanny and Alexander (1983, Ingmar Bergman)
- Groundhog Day (1993, Harold Ramis)
- Guys and Dolls (1955, Joseph L. Mankiewicz)
- Jour de Fete (1948, Jacques Tati)
- Napoleon (1927, Abel Gance)
- The Pathfinder (1952, Sidney Salkow)
- Steamboat Bill, Jr. (1928, Buster Keaton)
|
Neil Jordan
(Filmmaker: Mona Lisa, The Butcher Boy) |
- Citizen Kane (1941, Orson Welles)
- La Strada (1954, Federico Fellini)
- The Exterminating Angel (1962, Luis Bunuel)
- The Passion of Joan of Arc (1928, Carl Theodor Dreyer)
- The Wild Bunch (1969, Sam Peckinpah)
- They Live By Night (1949, Nicholas Ray)
- Rashomon (1950, Akira Kurosawa)
- 8 1/2 (1963, Federico Fellini)
- The General (1927, Buster Keaton)
- Persona (1966, Ingmar Bergman)
|
Philip Kaufman
(Filmmaker: The Right Stuff, The Unbearable Lightness of Being) |
- Pather Panchali (1955, Satyajit Ray)
- The Bicycle Thief (1949, Vittorio De Sica)
- Seven Samurai (1954, Akira Kurosawa)
- Belle de Jour (1967, Luis Bunuel)
- The Asphalt Jungle (1950, John Huston)
- Wages of Fear (1953, H.G. Clouzot)
- I Vitelloni (1953, Federico Fellini)
- Touch of Evil (1958, Orson Welles)
- The Third Man (1949, Carol Reed)
|
Aki Kaurismaki
(Filmmaker: The Match Factory Girl, The Man Without a Past) |
- L'Age D'Or (1930, Luis Bunuel/Salvador Dali)
- L'Atalante (1934, Jean Vigo)
- Au Hasard Balthazar (1966, Robert Bresson)
- Broken Blossoms (1919, D.W. Griffith)
- Casque D'Or (1952, Jacques Becker)
- Greed (1924, Erich von Stroheim)
- Mon Oncle (1958, Jacques Tati)
- Nanook of the North (1922, Robert Flaherty)
- Open City (1945, Roberto Rossellini)
- Tokyo Story (1953, Yasujiro Ozu)
|
Krzysztof Kieslowski
(Filmmaker: The Decalogue, Three Colors Trilogy) |
- La Strada (1954, Federico Fellini)
- Kes (1969, Ken Loach)
- A Man Escaped (1956, Robert Bresson)
- The 400 Blows (1959, Francois Truffaut)
- Citizen Kane (1941, Orson Welles)
- The Kid (1921, Charles Chaplin)
- Ivan's Childhood (1962, Andrei Tarkovsky)
- Musicians (1969, Mikheil Kobakhidze)
- The Pram (1963, Bo Widerberg)
- Intimiate Lighting (1965, Ivan Passer)
|
Takeshi Kitano
(Filmmaker: Sonatine, Hana-bi) |
- Children of Paradise (1945, Marcel Carne)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- A Clockwork Orange (1971, Stanley Kubrick)
- Seven Samurai (1954, Akira Kurosawa)
- To Live and Die in L.A. (1985, William Friedkin)
- Wild at Heart (1990, David Lynch)
- Bring Me the Head of Alfredo Garcia (1974, Sam Peckinpah)
- Darkman (1990, Sam Raimi)
- Crazy Thunder Road (1980, Sogo Ishii)
- The Railroad Man (1956, Pietro Germi)
|
Richard Lester
(Filmmaker: A Hard Day's Night, The Three Musketeers) |
- Casablanca (1942, Michael Curtiz)
- Citizen Kane (1941, Orson Welles)
- E.T. The Extra-Terrestrial (1982, Steven Spielberg)
- The 400 Blows (1959, Francois Truffaut)
- The General (1927, Buster Keaton)
- The Godfather/The Godfather Part II (1972-74, Francis Ford Coppola)
- Lawrence of Arabia (1962, David Lean)
- Mr. Hulot's Holiday (1953, Jacques Tati)
- Nashville (1975, Robert Altman)
- Seven Samurai (1954, Akira Kurosawa)
|
Jerry Lewis
(Filmmaker: The Bellboy, The Nutty Professor)
Source: Movies Unlimited Catalog, 1997
|
- An Affair to Remember (1957, Leo McCarey)
- Citizen Kane (1941, Orson Welles)
- The Fountainhead (1949, King Vidor)
- All About Eve (1950, Joseph L. Mankiewicz)
- The Adventures of Robin Hood (1938, Michael Curtiz/William Keighley)
- On the Waterfront (1954, Elia Kazan)
- Breakfast at Tiffany's (1961, Blake Edwards)
- Shadow of a Doubt (1943, Alfred Hitchcock)
- Harry and the Hendersons (1987, William Dear)
- Casablanca (1942, Michael Curtiz)
|
Richard Linklater
(Filmmaker: Dazed and Confused, Waking Life) |
- Some Came Running (1958, Vincente Minnelli)
- Pickpocket (1959, Robert Bresson)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- GoodFellas (1990, Martin Scorsese)
- The Mother and the Whore (1973, Jean Eustache)
- Los Olvidados (1950, Luis Bunuel)
- In a Year with Thirteen Moons (1978, Rainer Werner Fassbinder)
- Citizen Kane (1941, Orson Welles)
- Fanny and Alexander (1983, Ingmar Bergman)
- Carmen Jones (1954, Otto Preminger)
|
Ken Loach
(Filmmaker: Kes, Land and Freedom) |
- The Battle of Algiers (1965, Gillo Pontecorvo)
- Breathless (1959, Jean-Luc Godard)
- Bicycle Thieves (1949, Vittorio De Sica)
- Closely Watched Trains (1966, Jiri Menzel)
- Firemen's Ball (1965, Milos Forman)
- Jules et Jim (1961, Francois Truffaut)
- Loves of a Blonde (1964, Milos Forman)
- The Rules of the Game (1939, Jean Renoir)
- The Tree of Wooden Clogs (1978, Ermanno Olmi)
- Wild Strawberries (1957, Ingmar Bergman)
|
Phillip Lopate
(Film Writer: Totally, Tenderly, Tragically) |
- Contempt (1963, Jean-Luc Godard)
- The Earrings of Madame de... (1953, Max Ophuls)
- Gertrud (1964, Carl Theodor Dreyer)
- L'Atalante (1934, Jean Vigo)
- The Leopard (1963, Luchino Visconti)
- M (1931, Fritz Lang)
- The Rules of the Game (1939, Jean Renoir)
- A Star Is Born (1954, George Cukor)
- Ugetsu (1953, Kenji Mizoguchi)
- Vertigo (1958, Alfred Hitchcock)
|
Tim Lucas
(Film Writer: Video Watchdog) |
- Sunrise (1927, F.W. Murnau)
- J'accuse (1938, Abel Gance)
- Beauty and the Beast (1946, Jean Cocteau)
- The Third Man (1949, Carol Reed)
- Umberto D. (1953, Vittorio De Sica)
- Contempt (1963, Jean-Luc Godard)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- Once Upon a Time in the West (1969, Sergio Leone)
- Perceval (1978, Eric Rohmer)
- Three Colors: Red (1994, Krzysztof Kieslowski)
|
Tom Luddy
(Director of Telluride Film Festival) |
- The General (1927, Buster Keaton)
- The Palm Beach Story (1942, Preston Sturges)
- Make Way for Tomorrow (1937, Leo McCarey)
- There's Always Tomorrow (1956, Douglas Sirk)
- Sunrise (1927, F.W. Murnau)
- Outskirts (1933, Boris Barnet)
- Napoleon (1927, Abel Gance)
- Farewell, Home Sweet Home (1999, Otar Iosseliani)
- Enamorada (1943, Emilio Fernandez)
- Travellers (1992, Bahram Beizai)
|
Sidney Lumet
(Filmmaker: 12 Angry Men, Dog Day Afternoon) |
- The Best Years of Our Lives (1946, William Wyler)
- Fanny and Alexander (1983, Ingmar Bergman)
- The Godfather (1972, Francis Ford Coppola)
- The Grapes of Wrath (1940, John Ford)
- Intolerance (1916, D.W. Griffith)
- The Passion of Joan of Arc (1928, Carl Theodor Dreyer)
- Ran (1985, Akira Kurosawa)
- Roma (1972, Federico Fellini)
- Singin' in the Rain (1952, Stanley Donen/Gene Kelly)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
|
Tony Macklin
(Film Writer: Voices from the Set) |
- Citizen Kane (1941, Orson Welles)
- The Gold Rush (1925, Charles Chaplin)
- The General (1927, Buster Keaton)
- The Searchers (1956, John Ford)
- La Dolce Vita (1959, Federico Fellini)
- Vertigo (1958, Alfred Hitchcock)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- Jules and Jim (1961, Francois Truffaut)
- The Godfather Part II (1974, Francis Ford Coppola)
- Once Upon a Time in the West (1969, Sergio Leone)
|
Guy Maddin
(Filmmaker: The Heart of the World, The Saddest Music in the World) |
- The Chase (1947, Arthur Ripley)
- They Won't Believe Me (1947, Irving Pichel)
- The Big Carnival (1951, Billy Wilder)
- The Face Behind the Mask (1941, Robert Florey)
- Johnny Apollo (1940, Henry Hathaway)
- Scarlet Street (1945, Fritz Lang)
- Reign of Terror (1949, Anthony Mann)
- A Voice in the Wind (1944, Arthur Ripley)
- Nightmare Alley (1947, Edmund Goulding)
- D.O.A. (1949, Rudolph Mate)
|
Derek Malcolm
(Film Critic: Guardian, UK) |
- The Decalogue (1988, Krzysztof Kieslowski)
- The Music Room (1958, Satyajit Ray)
- Rio Bravo (1959, Howard Hawks)
- The Seventh Seal (1956, Ingmar Bergman)
- The Spirit of the Beehive (1973, Victor Erice)
- The Story of the Late Chrysanthemums (1939, Kenji Mizoguchi)
- The Time to Live and the Time to Die (1985, Hou Hsiao-hsien)
- Tokyo Story (1953, Yasujiro Ozu)
- Touch of Evil (1958, Orson Welles)
- Tristana (1970, Luis Bunuel)
|
Leonard Maltin
(Film Critic: Leonard Maltin's Video Guide)
Source: Movies Unlimited Catalog, 1997
|
- Citizen Kane (1941, Orson Welles)
- Casablanca (1942, Michael Curtiz)
- The Maltese Falcon (1941, John Huston)
- Singin' in the Rain (1952, Stanley Donen/Gene Kelly)
- Dumbo (1941, Ben Sharpsteen)
- A Night at the Opera (1935, Sam Wood)
- King Kong (1933, Merian C. Cooper/Ernest B. Schoedsack)
- His Girl Friday (1940, Howard Hawks)
- Modern Times (1936, Charles Chaplin)
- Mary Poppins (1964, Robert Stevenson)
|
Todd McCarthy
(Film Critic: Variety) |
- Trouble in Paradise (1932, Ernst Lubitsch)
- The Scarlet Empress (1934, Josef von Sternberg)
- The Crime of Monsieur Lange (1935, Jean Renoir)
- To Have and Have Not (1944, Howard Hawks)
- Notorious (1946, Alfred Hitchcock)
- Shoot the Piano Player (1960, Francois Truffaut)
- Lawrence of Arabia (1962, David Lean)
- Contempt (1963, Jean-Luc Godard)
- Chimes at Midnight (1966, Orson Welles)
- The Godfather Part II (1974, Francis Ford Coppola)
|
Russ Meyer
(Filmmaker: Vixen; Faster Pussycat! Kill! Kill!)
Source: Movies Unlimited Catalog, 1997
|
- Cool Hand Luke (1967, Stuart Rosenberg)
- The Third Man (1949, Carol Reed)
- Casablanca (1942, Michael Curtiz)
- My Little Chickadee (1940, Edward F. Cline)
- The Bank Dick (1940, Edward F. Cline)
- 42nd Street (1933, Lloyd Bacon)
- Gunga Din (1939, George Stevens)
- The Godfather (1972, Francis Ford Coppola)
- The Shawshank Redemption (1994, Frank Darabont)
- Sahara (1943, Zoltan Korda)
|
Errol Morris
(Filmmaker: Fast, Cheap & Out of Control, The Fog of War) |
- Detour (1945, Edgar G. Ulmer)
- There's Always Tomorrow (1956, Douglas Sirk)
- Make Way for Tomorrow (1937, Leo McCarey)
- A Man Escaped (1956, Robert Bresson)
- The Crime of Monsieur Lange (1935, Jean Renoir)
- Stray Dog (1949, Akira Kurosawa)
- The Rise to Power of Louis XIV (1966, Roberto Rossellini)
- Human Desire (1954, Fritz Lang)
- Ace in the Hole (1951, Billy Wilder)
- Psycho (1960, Alfred Hitchcock)
|
Camile Paglia
(Professor: University of the Arts in Philadelphia) |
- Citizen Kane (1941, Orson Welles)
- La Dolce Vita (1959, Federico Fellini)
- Gone with the Wind (1939, Victor Fleming)
- Lawrence of Arabia (1962, David Lean)
- North by Northwest (1959, Alfred Hitchcock)
- Orpheus (1949, Jean Cocteau)
- Persona (1966, Ingmar Bergman)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- The Ten Commandments (1923-56, Cecil B. DeMille)
- Vertigo (1958, Alfred Hitchcock)
|
Alexander Payne
(Filmmaker: Election, About Schmidt) |
- The Landlord (1970, Hal Ashby)
- The Man from Laramie (1955, Anthony Mann)
- A Moment of Innocence (1996, Mohsen Makhmalbaf)
- La Notte (1961, Michelangelo Antonioni)
- Red Beard (1965, Akira Kurosawa)
- Ride the High Country (1962, Sam Peckinpah)
- Room at the Top (1959, Jack Clayton)
- A Special Day (1977, Ettore Scola)
- Viridiana (1961, Luis Bunuel)
- White Nights (1957, Luchino Visconti)
|
Alex Proyas
(Filmmaker: The Crow, Dark City) |
- Citizen Kane (1941, Orson Welles)
- Dr. Strangelove (1964, Stanley Kubrick)
- The Exorcist (1973, William Friedkin)
- The Godfather (1972, Francis Ford Coppola)
- It's a Wonderful Life (1946, Frank Capra)
- Lawrence of Arabia (1962, David Lean)
- North by Northwest (1959, Alfred Hitchcock)
- One Flew over the Cuckoo's Nest (1975, Milos Forman)
- The Third Man (1949, Carol Reed)
- The Wizard of Oz (1939, Victor Fleming)
|
Mario Puzo
(Film Writer: The Godfather, Superman)
Source: Movies Unlimited Catalog, 1997
|
- The Godfather (1972, Francis Ford Coppola)
- They Shoot Horses, Don't They? (1969, Sydney Pollack)
- Citizen Kane (1941, Orson Welles)
- The Informer (1935, John Ford)
- Gone with the Wind (1939, Victor Fleming)
- Chariots of Fire (1981, Hugh Hudson)
- Fiddler on the Roof (1971, Norman Jewison)
- Double Indemnity (1944, Billy Wilder)
- The Third Man (1949, Carol Reed)
- Out of Africa (1985, Sydney Pollack)
|
Terrence Rafferty
(Film Critic: New Yorker) |
- The Rules of the Game (1939, Jean Renoir)
- Charulata (1964, Satyajit Ray)
- L'Atalante (1934, Jean Vigo)
- McCabe & Mrs. Miller (1971, Robert Altman)
- The Navigator (1924, Buster Keaton)
- The Night of the Hunter (1955, Charles Laughton)
- Sans soleil (1982, Chris Marker)
- Seven Samurai (1954, Akira Kurosawa)
- Sunrise (1927, F.W. Murnau)
- The Wild Bunch (1969, Sam Peckinpah)
|
Carol Reed
(Filmmaker: Odd Man Out, The Third Man) |
- City Lights (1931, Charles Chaplin)
- Ninotchka (1939, Ernst Lubitsch)
- Children of Paradise (1945, Marcel Carne)
- Gone with the Wind (1939, Victor Fleming)
- La Ronde (1950, Max Ophuls)
- All Quiet on the Western Front (1930, Lewis Milestone)
- Carnival in Flanders (1935, Jacques Feyder)
- Variety (1925, E.A. Dupont)
- The Baker's Wife (1938, Marcel Pagnol)
- Pygmalion (1938, Anthony Asquith/Leslie Howard)
|
Donald Richie
(Film critic: The Films of Akira Kurosawa, Ozu) |
- The Passion of Joan of Arc (1928, Carl Theodor Dreyer)
- Earth (1930, Alexander Dovzhenko)
- Citizen Kane (1941, Orson Welles)
- Tokyo Story (1953, Yasujiro Ozu)
- Seven Samurai (1954, Akira Kurosawa)
- Pather Panchali (1955, Satyajit Ray)
- Wild Strawberries (1957, Ingmar Bergman)
- L'avventura (1960, Michelangelo Antonioni)
- Au hasard Balthazar (1966, Robert Bresson)
- Mirror (1975, Andrei Tarkovsky)
|
Jacques Rivette
(Film critic: Cahiers du Cinema; Filmmaker: Celine & Julie Go Boating, La Belle Noiseuse) |
- The Life of Oharu (1952, Kenji Mizoguchi)
- Germany Year Zero (1947, Roberto Rossellini)
- True Heart Susie (1919, D.W. Griffith)
- Sunrise (1927, F.W. Murnau)
- The River (1951, Jean Renoir)
- Ivan the Terrible (1943, Sergei Eisenstein)
- L'Atalante (1934, Jean Vigo)
- Day of Wrath (1945, Carl Theodor Dreyer)
- Monsieur Verdoux (1947, Charles Chaplin)
- Confidential Report (1955, Orson Welles)
|
David Robinson
(Film critic: Chaplin: His Life and Art) |
- The Kid (1921, Charles Chaplin)
- Napoleon (1927, Abel Gance)
- L'Age d'Or (1930, Luis Bunuel)
- Stagecoach (1939, John Ford)
- The Rules of the Game (1939, Jean Renoir)
- Citizen Kane (1941, Orson Welles)
- Children of Paradise (1945, Marcel Carne)
- Tokyo Story (1953, Yasujiro Ozu)
- Pather Panchali (1955, Satyajit Ray)
- Farewell My Concubine (1993, Chen Kaige)
|
Eric Rohmer
(Film critic: Cahiers du Cinema; Filmmaker: Claire's Knee, Autumn Tale) |
- True Heart Susie (1919, D.W. Griffith)
- The General (1927, Buster Keaton)
- Sunrise (1927, F.W. Murnau)
- The Rules of the Game (1939, Jean Renoir)
- Ivan the Terrible (1943, Sergei Eisenstein)
- Red River (1948, Howard Hawks)
- Voyage to Italy (1953, Roberto Rossellini)
- Vertigo (1958, Alfred Hitchcock)
- Pickpocket (1959, Robert Bresson)
- La Pyramide humaine (1959, Jean Rouch)
|
George A. Romero
(Filmmaker: Night of the Living Dead, Dawn of the Dead) |
- The Brothers Karamazov (1958, Richard Brooks)
- Casablanca (1942, Michael Curtiz)
- Dr. Strangelove (1964, Stanley Kubrick)
- High Noon (1952, Fred Zinnemann)
- King Solomon's Mines (1950, Compton Bennett)
- North by Northwest (1959, Alfred Hitchcock)
- The Quiet Man (1952, John Ford)
- Repulsion (1965, Roman Polanski)
- Touch of Evil (1958, Orson Welles)
- The Tales of Hoffmann (1951, Michael Powell/Emeric Pressburger)
|
Jonathan Rosenbaum
(Film Critic: Chicago Reader) |
- Les Vampires (1915-16, Louis Feuillade)
- M (1931, Fritz Lang)
- The Story of the Late Chrysanthemums (1939, Kenji Mizoguchi)
- Ivan the Terrible (1945, Sergei Eisenstein)
- Gentlemen Prefer Blondes (1953, Howard Hawks)
- Last Year at Marienbad (1961, Alain Resnais)
- The House Is Black (1962, Forugh Farrokhzad)
[short]
- Gertrud (1964, Carl Theodor Dreyer)
- Playtime (1967, Jacques Tati)
- When It Rains (1995, Charles Burnett)
[short]
|
Alan Rudolph
(Filmmaker: Choose Me, Mrs. Parker and the Vicious Circle) |
- La Dolce Vita (1959, Federico Fellini)
- Sunrise (1927, F.W. Murnau)
- The Rules of the Game (1939, Jean Renoir)
- McCabe & Mrs. Miller (1971, Robert Altman)
- Ikiru (1952, Akira Kurosawa)
- Persona (1966, Ingmar Bergman)
- Dr. Strangelove (1964, Stanley Kubrick)
- Citizen Kane (1941, Orson Welles)
- Day for Night (1973, Francois Truffaut)
- Block-Heads (1938, John G. Blystone)
[Laurel & Hardy]
|
Andrew Sarris
(Film critic: Village Voice, New York Observer) |
- The Earrings of Madame de... (1953, Max Ophuls)
- The Rules of the Game (1939, Jean Renoir)
- Ugetsu (1953, Kenji Mizoguchi)
- Sunrise (1927, F.W. Murnau)
- Vertigo (1958, Alfred Hitchcock)
- The Searchers (1956, John Ford)
- The Magnificent Ambersons (1942, Orson Welles)
- The Great Dictator (1940, Charles Chaplin)
- Steamboat Bill Jr. (1928, Buster Keaton)
- Ordet (1955, Carl Theodor Dreyer)
|
John Sayles
(Filmmaker: Eight Men Out, City of Hope) |
- Yojimbo (1961, Akira Kurosawa)
- Seven Samurai (1954, Akira Kurosawa)
- Sawdust and Tinsel (1953, Ingmar Bergman)
- The Magnificent Seven (1960, John Sturges)
- Two Women (1960, Vittorio De Sica)
- The Organizer (1963, Mario Monicelli)
- A Taxing Woman (1987, Juzo Itami)
- The Third Man (1949, Carol Reed)
- The Treasure of the Sierra Madre (1948, John Huston)
- Wages of Fear (1953, Henri-Georges Clouzot)
|
Richard Schickel
(Film critic: Time Magazine) |
- Citizen Kane (1941, Orson Welles)
- Double Indemnity (1944, Billy Wilder)
- The Good, the Bad and the Ugly (1966, Sergio Leone)
- The Maltese Falcon (1941, John Huston)
- On the Waterfront (1954, Elia Kazan)
- Out of the Past (1947, Jacques Tourneur)
- Sullivan's Travels (1941, Preston Sturges)
- They Were Expendable (1945, John Ford)
- Trouble in Paradise (1932, Ernst Lubitsch)
- White Heat (1949, Raoul Walsh)
|
John Schlesinger
(Filmmaker: Midnight Cowboy, The Falcon and the Snowman) |
- Umberto D (1952, Vittorio De Sica)
- The Discreet Charm of the Bourgeoisie (1972, Luis Bunuel)
- Grand Illusion (1937, Jean Renoir)
- Ikiru (1952, Akira Kurosawa)
- Citizen Kane (1941, Orson Welles)
- Fanny and Alexander (1983, Ingmar Bergman)
- The Third Man (1949, Carol Reed)
- Sunset Boulevard (1950, Billy Wilder)
- Singin' in the Rain (1952, Stanley Donen/Gene Kelly)
- The 400 Blows (1959, Francois Truffaut)
|
Paul Schrader
(Film writer: Trancsendental Styles in Film; filmmaker: American Gigolo, Auto Focus) |
- The Rules of the Game (1939, Jean Renoir)
- Tokyo Story (1953, Yasujiro Ozu)
- Pickpocket (1959, Robert Bresson)
- Citizen Kane (1941, Orson Welles)
- The Lady Eve (1941, Preston Sturges)
- La Belle et la Bete (1946, Jean Cocteau)
- The Conformist (1970, Bernardo Bertolucci)
- Vertigo (1958, Alfred Hitchcock)
- The Searchers (1956, John Ford)
- The Wild Bunch (1969, Sam Peckinpah)
|
Joel Schumacher
(Filmmaker: Falling Down, Phone Booth) |
- Battleship Potemkin (1925, Sergei Eisenstein)
- Lawrence of Arabia (1962, David Lean)
- The Cook, the Thief, His Wife and Her Lover (1990, Peter Greenaway)
- The Bicycle Thief (1949, Vittorio De Sica)
- Breaking the Waves (1996, Lars von Trier)
- A Clockwork Orange (1971, Stanley Kubrick)
- The Conversation (1974, Francis Ford Coppola)
- Sunset Boulevard (1950, Billy Wilder)
- Stalker (1979, Andrei Tarkovsky)
- The Conformist (1970, Bernardo Bertolucci)
|
Martin Scorsese
(Filmmaker: Taxi Driver, Raging Bull) |
- 8 1/2 (1963, Federico Fellini)
- Citizen Kane (1941, Orson Welles)
- The Leopard (1963, Luchino Visconti)
- The Red Shoes (1948, Michael Powell/Emeric Pressburger)
- The Searchers (1956, John Ford)
|
Jay Scott
(Film critic: The Globe and Mail
Source: John Kobal List |
- The Wizard of Oz (1939, Victor Fleming)
- Napoleon (1927, Abel Gance)
- Berlin Alexanderplatz (1980, Rainer Werner Fassbinder)
- The Magic Flute (1974, Ingmar Bergman)
- Ikiru (1952, Akira Kurosawa)
- The Godfather I-II (1972-74, Francis Ford Coppola)
- The Night of the Shooting Stars (1982, Paolo Taviani/Vittorio Taviani)
- The Black Stallion (1979, Carroll Ballard)
- Full Metal Jacket (1987, Stanley Kubrick)
- All That Jazz (1979, Bob Fosse)
|
Tom Shales
(TV critic: Washington Post)
Source: Movies Unlimited Catalog, 1997
|
- The Wizard of Oz (1939, Victor Fleming)
- Cover Girl (1944, Charles Vidor)
- King Kong (1933, Merian C. Cooper/Ernest B. Schoedsack)
- The Godfather (1972, Francis Ford Coppola)
- Summertime (1955, David Lean)
- How Green Was My Valley (1941, John Ford)
- Citizen Kane (1941, Orson Welles)
- Amarcord (1974, Federico Fellini)
- Abbott and Costello Meet Frankenstein (1948, Charles Barton)
- The Road to Morocco (1942, David Butler)
|
Gene Siskel
(Film critic: Chicago Tribune) |
- Citizen Kane (1941, Orson Welles)
- The Godfather (1972, Francis Ford Coppola)
- The Godfather Part II (1974, Francis Ford Coppola)
- Dr. Strangelove (1964, Stanley Kubrick)
- The General (1927, Buster Keaton)
- Tokyo Story (1953, Yasujiro Ozu)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- Singin' in the Rain (1952, Stanley Donen/Gene Kelly)
- Pinocchio (1940, Ben Sharpsteen)
- Shoah (1985, Claude Lanzmann)
|
Gavin Smith
(Film critic: Film Comment) |
- The Passion of Joan of Arc (1928, Carl Theodor Dreyer)
- Sunrise (1927, F.W. Murnau)
- The Rules of the Game (1939, Jean Renoir)
- The Magnificent Ambersons (1942, Orson Welles)
- Psycho (1960, Alfred Hitchcock)
- L'eclisse (1961, Michelangelo Antonioni)
- Au hasard Balthazar (1966, Robert Bresson)
- Two or Three Things I Know about Her (1966, Jean-Luc Godard)
- Taxi Driver (1976, Martin Scorsese)
- Days of Heaven (1978, Terrence Malick)
|
Susan Sontag
(Film critic) |
- Man with the Movie Camera (1929, Dziga Vertov)
- The Rules of the Game (1939, Jean Renoir)
- Tokyo Story (1953, Yasujiro Ozu)
- L'Avventura (1960, Michelangelo Antonioni)
- My Night at Maud's (1969, Eric Rohmer)
- Hitler: A Film from Germany (1977, Hans-Jurgen Syberberg)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- Contempt (1963, Jean-Luc Godard)
- Satantango (1994, Bela Tarr)
- Berlin Alexanderplatz (1980, Rainer Werner Fassbinder)
|
Michael Sragow
(Film critic: Baltimore Sun) |
- Children of Paradise (1945, Marcel Carne)
- Citizen Kane (1941, Orson Welles)
- Intolerance (1916, D.W. Griffith)
- The Rules of the Game (1939, Jean Renoir)
- Sherlock Jr. (1924, Buster Keaton)
- Strike (1924, Sergei Eisenstein)
- The Third Man (1949, Carol Reed)
- Umberto D. (1953, Vittorio De Sica)
- The Wild Bunch (1969, Sam Peckinpah)
- The Wizard of Oz (1939, Victor Fleming)
|
Chuck Stephens
(Film critic: San Francisco Bay Guardian) |
- Fox and His Friends (1975, Rainer Werner Fassbinder)
- Beyond the Valley of the Dolls (1970, Russ Meyer)
- Hold Me While I'm Naked (1966, George Kuchar)
- China Gate (1957, Samuel Fuller)
- Poor Little Rich Girl (1965, Andy Warhol)
- The Pornographers (1966, Shohei Imamura)
- High and Low (1963, Akira Kurosawa)
- Touch of Evil (1958, Orson Welles)
- The Palm Beach Story (1942, Preston Sturges)
- Performance (1970, Nicolas Roeg)
|
David Sterritt
(Film critic: The Christian Science Monitor) |
- The Crowd (1927, King Vidor)
- Vertigo (1958, Akira Kurosawa)
- Sirius Remembered (1959, Stan Brakhage)
- Imitation of Life (1959, Douglas Sirk)
- Contempt (1963, Jean-Luc Godard)
- Flaming Creatures (1963, Jack Smith)
- Wavelength (1967, Michael Snow)
- Antonio das Mortes (1969, Glauber Rocha)
- A Woman Under the Influence (1974, John Cassavetes)
- Au Hasard Balthazar (1966, Robert Bresson)
|
Whit Stillman
(Filmmaker: Metropolitan, The Last Days of Disco) |
- The Gay Divorcee (1934, Mark Sandrich)
- Strangers on a Train (1951, Alfred Hitchcock)
- It's a Wonderful Life (1946, Frank Capra)
- Kind Hearts and Coronets (1949, Robert Hamer)
- The 400 Blows, Stolen Kisses, Bed and Board (1959/68/70, Francois Truffaut)
- The Shop Around the Corner (1940, Ernst Lubitsch)
- Big Deal on Madonna Street (1958, Mario Monicelli)
- The Palm Beach Story (1942, Preston Sturges)
- Howards End (1992, James Ivory)
- That Sinking Feeling (1980, Bill Forsyth)
|
Oliver Stone
(Filmmaker: Platoon, JFK) |
- The Best Years of Our Lives (1946, William Wyler)
- Lawrence of Arabia (1962, David Lean)
- Dr. Strangelove (1964, Stanley Kubrick)
- 1900 (1976, Bernardo Bertolucci)
- Raging Bull (1980, Martin Scorsese)
- Mutiny on the Bounty (1935, Frank Lloyd)
- On the Waterfront (1954, Elia Kazan)
- The Godfather Parts I-II (1972-74, Francis Ford Coppola)
- Paths of Glory (1957, Stanley Kubrick)
- Citizen Kane (1941, Orson Welles)
|
Quentin Tarantino
(Filmmaker: Pulp Fiction, Kill Bill) |
- The Good, the Bad and the Ugly (1966, Sergio Leone)
- Rio Bravo (1959, Howard Hawks)
- Taxi Driver (1976, Martin Scorsese)
- His Girl Friday (1940, Howard Hawks)
- Rolling Thunder (1977, John Flynn)
- They All Laughed (1981, Bogdanovich)
- The Great Escape (1963, John Sturges)
- Carrie (1976, Brian De Palma)
- Coffy (1973, Jack Hill)
- Dazed and Confused (1993, Richard Linklater)
- Five Fingers of Death (1973, Chang Ho Cheng)
- Hi Diddle Diddle (1943, Andrew L. Stone)
|
Andrei Tarkovsky
(Filmmaker: Andrei Rublev, Stalker) |
- Diary of a Country Priest (1950, Robert Bresson)
- Winter Light (1962, Ingmar Bergman)
- Nazarin (1958, Luis Bunuel)
- Wild Strawberries (1957, Ingmar Bergman)
- City Lights (1931, Charles Chaplin)
- Ugetsu (1953, Kenji Mizoguchi)
- Seven Samurai (1954, Akira Kurosawa)
- Persona (1966, Ingmar Bergman)
- Mouchette (1967, Robert Bresson)
- Woman in the Dunes (1964, Hiroshi Teshigahara)
|
Amy Taubin
(Film critic: Village Voice, ArtForum) |
- The Rules of the Game (1939, Jean Renoir)
- Au hasard Balthazar (1966, Robert Bresson)
- Man with a Movie Camera (1929, Dziga Vertov)
- The Rise to Power of Louis XIV (1966, Roberto Rossellini)
- Two or Three Things I Know About Her (1966, Jean-Luc Godard)
- Vertigo (1958, Alfred Hitchcock)
- Shoah (1985, Claude Lanzmann)
- Diaries, Notes & Sketches: Walden (19, Mekas)
- Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975, Chantal Akerman)
- Spider (2002, David Cronenberg)
|
Bertrand Tavernier
(Film critic/Filmmaker: Coup de Torchon, 'Round Midnight)
Source: Movies Unlimited Catalog, 1997
|
- The Rules of the Game (1939, Jean Renoir)
- Grand Illusion (1937, Jean Renoir)
- The Life and Death of Colonel Blimp (1943, Michael Powell/Emeric Pressburger)
- L'Atalante (1934, Jean Vigo)
- The Earrings of Madame de... (1953, Max Ophuls)
- She Wore a Yellow Ribbon (1949, John Ford)
- The Searchers (1956, John Ford)
- Seven Samurai (1954, Akira Kurosawa)
- Shansho the Bailiff (1954, Kenji Mizoguchi)
- The Crowd (1927, King Vidor)
|
Charles Taylor
(Film critic: Salon.com) |
- Apu Trilogy (1955-59, Satyajit Ray)
- The Birth of a Nation (1915, D.W. Griffith)
- The Godfahter Parts I & II (1972-74, Francis Ford Coppola)
- L'Atalante (1934, Jean Vigo)
- Last Tango in Paris (1972, Bernardo Bertolucci)
- The Magnificent Ambersons (1942, Orson Welles)
- McCabe & Mrs. Miller (1971, Robert Altman)
- The Rules of the Game (1939, Jean Renoir)
- Umberto D. (1952, Vittorio De Sica)
- Vergito (1958, Alfred Hitchcock)
|
David Thomson
(Film critic: The New Biographical Dictionary of Film) |
- Blue Velvet (1986, David Lynch)
- Celine and Julie Go Boating (1974, Jacques Rivette)
- Citizen Kane (1941, Orson Welles)
- The Conformist (1970, Bernardo Bertolucci)
- His Girl Friday (1940, Howard Hawks)
- A Man Escaped (1956, Robert Bresson)
- Pierrot le Fou (1965, Jean-Luc Godard)
- The Rules of the Game (1939, Jean Renoir)
- That Obscure Object of Desire (1977, Luis Bunuel)
- Ugetsu (1953, Kenji Mizoguchi)
|
Tian Zhuangzhuang
(Filmmaker: The Horse Thief, Springtime in a Small Town) |
- The Age of Innocence (1993, Martin Scorsese)
- Reservoir Dogs (1992, Quentin Tarantino)
- Three Colors: White (1994, Krzysztof Kieslowski)
- Underground (1995, Emir Kusturica)
- Burnt by the Sun (1994, Nikita Mikhalkov)
- Flowers of Shanghai (1998, Hou Hsiao-hsien)
- La Haine (1995, Mathieu Kassovitz)
- Spirited Away (2001, Hayao Miyazaki)
|
James Toback
(Filmmaker: Fingers, Two Girls and a Guy) |
- F for Fake (1973, Orson Welles)
- Touch of Evil (1958, Orson Welles)
- Hotel Terminus: The Life and Times of Klaus Barbie (1988, Marcel Ophuls)
- The Godfather Trilogy (1972-90, Francis Ford Coppola)
- Get Shorty (1995, Barry Sonnenfeld)
- Jules and Jim (1961, Francois Truffaut)
- Reds (1981, Warren Beatty)
- Sweet Dreams (1971, John G. Avildsen)
- Jimmy Hollywood (1994, Barry Levinson)
- Lolita (1962, Stanley Kubrick)
- Lolita (1997, Adrian Lyne)
- Contempt (1963, Jean-Luc Godard)
|
Kenneth Turan
(Film critic: L.A. Times) |
- Battleship Potemkin (1925, Sergei Eisenstein)
- Citizen Kane (1941, Orson Welles)
- Children of Paradise (1945, Marcel Carne)
- The Godfather Parts I-II (1972-74, Francis Ford Coppola)
- The Earrings of Madame de... (1953, Max Ophuls)
- The Rules of the Game (1939, Jean Renoir)
- Seven Samurai (1954, Akira Kurosawa)
- Sherlock Jr. (1924, Buster Keaton)
- Singin' in the Rain (1952, Stanley Donen/Gene Kelly)
- Vertigo (1958, Alfred Hitchcock)
|
Liv Ullmann
(Filmmaker: Sofie, Faithless) |
- Limelight (1952, Charles Chaplin)
- Miracle in Milan (1951, Vittorio De Sica)
- Umberto D. (1952, Vittorio De Sica)
- La Strada (1954, Federico Fellini)
- The Seventh Seal (1956, Ingmar Bergman)
- The Fireman's Ball (1967, Milos Forman)
|
Paul Verhoeven
(Filmmaker: Robocop, Starship Troopers) |
- La Dolce Vita (1960, Federico Fellini)
- Ivan the Terrible Part II (1946, Sergei Eisenstein)
- Lawrence of Arabia (1962, David Lean)
- Rashomon (1950, Akira Kurosawa)
- Vertigo (1958, Alfred Hitchcock)
- The Seventh Seal (1956, Ingmar Bergman)
- The Rules of the Game (1939, Jean Renoir)
- Metropolis (1927, Fritz Lang)
- Los Olvidados (1950, Luis Bunuel)
- Some Like It Hot (1959, Billy Wilder)
|
King Vidor
(Filmmaker: The Big Parade, The Crowd) |
- Intolerance (1916, D.W. Griffith)
- Sunrise (1927, F.W. Murnau)
- The Last Laugh (1924, F.W. Murnau)
- The Big Parade (1925, King Vidor)
- Brief Encounter (1945, David Lean)
- The Red Shoes (1948, Michael Powell/Emeric Pressburger)
- Open City (1945, Roberto Rossellini)
- City Lights (1931, Charles Chaplin)
- Citizen Kane (1941, Orson Welles)
- The Best Years of Our Lives (1946, William Wyler)
|
Wayne Wang
(Filmmaker: Chan Is Missing, Smoke) |
- Sweet Movie (1974, Dusan Makavejev)
- All About Eve (1950, Joseph L. Mankiewicz)
- Tokyo Story (1953, Yasujiro Ozu)
- Le Gai Savoir (1969, Jean-Luc Godard)
- The Kid (1921, Charles Chaplin)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- The Wild Bunch (1969, Sam Peckinpah)
- Jules and Jim (1961, Francois Truffaut)
- To Live (1994, Zhang Yimou)
- Sunset Boulevard (1950, Billy Wilder)
|
John Waters
(Filmmaker: Female Trouble, Hairspray)
Source: Sight & Sound Poll, 2002
|
- All That Heaven Allows (1955, Douglas Sirk)
- Baby Doll (1956, Elia Kazan)
- Boom! (1968, Joseph Losey)
- Brink of Life (1958, Ingmar Bergman)
- The Chelsea Girls (1966, Andy Warhol)
- 8 1/2 (1963, Federico Fellini)
- Faster, Pussycat! Kill! Kill! (1965, Russ Meyer)
- The Mother and the Whore (1973, Jean Eustache)
- The Tingler (1959, William Castle)
- The Wizard of Oz (1939, Victor Fleming)
|
Orson Welles
(Filmmaker: Citizen Kane, Chimes at Midnight) |
- City Lights (1931, Charles Chaplin)
- Greed (1924, Erich von Stroheim)
- Intolerance (1916, D.W. Griffith)
- Nanook of the North (1922, Robert J. Flaherty)
- Shoeshine (1946, Vittorio De Sica)
- Battleship Potemkin (1925, Sergei Eisenstein)
- The Baker's Wife (1938, Marcel Pagnol)
- Grand Illusion (1937, Jean Renoir)
- Stagecoach (1939, John Ford)
- Ninotchka (1939, Ernst Lubitsch)
|
Armond White
(Film critic: New York Press) |
- A.I. Artificial Intelligence (2001, Steven Spielberg)
- L'Avventura (1960, Michelangelo Antonioni)
- Intolerance (1916, D.W. Griffith)
- Jules and Jim (1961, Francois Truffaut)
- Lawrence of Arabia (1962, David Lean)
- Lola (1961, Jacques Demy)
- The Magnificent Ambersons (1942, Orson Welles)
- Masculin-feminin (1966, Jean-Luc Godard)
- Nashville (1975, Robert Altman)
- The Passion of Joan of Arc (1928, Carl Theodor Dreyer)
|
Billy Wilder
(Filmmaker: Sunset Boulevard, Some Like It Hot) |
- The Best Years of Our Lives (1946, William Wyler)
- The Bicycle Thief (1949, Vittorio De Sica)
- The Bridge on the River Kwai (1957, David Lean)
- The Conformist (1970, Bernardo Bertolucci)
- Diabolique (1954, Henri-Georges Clouzot)
- La Dolce Vita (1960, Federico Fellini)
- 42nd Street (1933, Lloyd Bacon)
- Grand Illusion (1937, Jean Renoir)
- Seduced and Abandoned (1964, Pietro Germi)
- The Shop Around the Corner (1940, Ernst Lubitsch)
|
John Woo
(Filmmaker: The Killer, Hard-Boiled) |
- Citizen Kane (1941, Orson Welles)
- The Wild Bunch (1969, Sam Peckinpah)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- The Godfather Part II (1974, Francis Ford Coppola)
- Le Samourai (1967, Jean-Pierre Melville)
- Seven Samurai (1954, Akira Kurosawa)
- Lawrence of Arabia (1962, David Lean)
- West Side Story (1961, Robert Wise/Jerome Robbins)
- Raging Bull (1980, Martin Scorsese)
- Mean Streets (1973, Martin Scorsese)
|
Robin Wood
(Film critic: Various...) |
- Rio Bravo (1959, Howard Hawks)
- The Young Girls of Rochefort (1967, Jacques Demy)
- Heaven's Gate (1980, Michael Cimino)
- I Walked with a Zombie (1943, Jacques Tourneur)
- Late Spring (1949, Yasujiro Ozu)
- Marnie (1964, Alfred Hitchcock)
- Rally 'Round the Flag, Boys! (1958, Leo McCarey)
- The Reckless Moment (1949, Max Ophuls)
- The Rules of the Game (1939, Jean Renoir)
- Ugetsu (1953, Kenji Mizoguchi)
|
Krzysztof Zanussi
(Filmmaker: The Year of the Quiet Sun, Weekend Stories) |
- Citizen Kane (1941, Orson Welles)
- Rashomon (1950, Akira Kurosawa)
- La Strada (1954, Federico Fellini)
- Ordet (1955, Carl Theodor Dreyer)
- East of Eden (1955, Elia Kazan)
- The Seventh Seal (1957, Ingmar Bergman)
- My Night at Maud's (1969, Eric Rohmer)
- Jules and Jim (1961, Francois Truffaut)
- The Phantom of Liberty (1974, Luis Bunuel)
- Man of Marble (1977, Andrzej Wajda)
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