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With: Brenton Thwaites, Olivia Cooke, Beau Knapp, Laurence Fishburne, Lin Shaye, Robert Longstreet
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Written by: William Eubank, David Frigerio, Carlyle Eubank
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Directed by: William Eubank
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MPAA Rating: PG-13 for some thematic elements, violence and language
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Running Time: 95
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Date: 06/13/2014
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The Hacker and the Hacked
By Jeffrey M. Anderson
The Signal is the second feature by former cameraman William Eubank, and it looks terrific. It comes from a filmmaker that understands the concept of visual space and clarity, rather than the cluttered jumble of so many other sci-fi movies. It opens intimately, with cozy spaces for the three friends, then widens on those creepy, sterile white hallways, followed by disorienting, never-ending stretches of dusty Nevada desert.
Where the movie falters is in its plot, which does have a few cool surprises and powerhouse moments, but for the most part appears to have been borrowed from so many other sci-fi movies.
Best friends and computer hackers Nic (Brenton Thwaites) and Jonah (Beau Knapp) are road-tripping through Nevada, taking Nic's girlfriend, Haley (Olivia Cooke) to college. Tensions run high, since Nic worries about his future with Haley; he's in the early stages of a degenerative disease, using forearm crutches, and he thinks she'll give up on him. Also, Nic and Jonah have become obsessed with catching a mysterious hacker called NOMAD, much to the irritation and impatience of Haley.
When they believe they have tracked him to a run-down cabin, their adventure has only begun. They wake up in a weird, white building with no information as to how they got there and what's going on, and only a slim chance to escape.
The Signal isn't very good at disguising its intentions or throwing the audience off balance. But Eubank has done a fine job with his casting, creating three interesting performances and avoiding the usual disposable, interchangeable teens. And Laurence Fishburne has a tangy supporting role that looks like it must have been fun.
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