Combustible Celluloid Review - Dark Waters (1944), Joan Harrison, Marian B. Cockrell, based on a story by Francis M. Cockrell, Marian B. Cockrell, & additional dialogue by Arthur T. Horman, André De Toth, Merle Oberon, Franchot Tone, Thomas Mitchell, Fay Bainter, Elisha Cook Jr., John Qualen, Rex Ingram, Nina Mae McKinney, Odette Myrtil, Eugene Borden
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With: Merle Oberon, Franchot Tone, Thomas Mitchell, Fay Bainter, Elisha Cook Jr., John Qualen, Rex Ingram, Nina Mae McKinney, Odette Myrtil, Eugene Borden
Written by: Joan Harrison, Marian B. Cockrell, based on a story by Francis M. Cockrell, Marian B. Cockrell, & additional dialogue by Arthur T. Horman
Directed by: André De Toth
MPAA Rating: NR
Running Time: 90
Date: 11/21/1944
IMDB

Dark Waters (1944)

3 1/2 Stars (out of 4)

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By Jeffrey M. Anderson

Leslie Calvin (Merle Oberon) survives a wartime attack at sea, but the ship on which she travels sinks and her parents are killed in the ordeal. An aunt and uncle she has never met — Emily (Fay Bainter) and Norbert (John Qualen) — reach out and offer to let her stay with them. She arrives in Louisiana, on a run-down plantation, and meets her new family. She also meets a kindly doctor, George Grover (Franchot Tone), as well as the obnoxious Mr. Sydney (Thomas Mitchell) — a somewhat permanent resident of the plantation — and the weasel-like Cleeve (Elisha Cook Jr.). She begins to experience strange events as well as constant reminders of her tragedy at sea, and thinks she may be losing her mind. (George Cukor's Gaslight, released the same year, explored similar themes.) This was one of Hungarian-born director André de Toth's earliest American movies, and he instills it with a strong mood and menace, and making fine use of those Southern swamps.

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