2001: A Space Odyssey (1968)

4 Stars (out of 4)

Trip Through Outer Space

By Jeffrey M. Anderson

What can we expect to learn seeing the 1968 film, 2001: A Space Odyssey, a movie that supposedly takes place this year? We might learn not to trust computers, for one thing. The HAL 9000 unit that kills off its crew members in the film is still more advanced than any computer we have today: it carries on intelligent discussions with humans and makes decisions for itself. (Though my computer has often decided that a few of my stories stunk and erased them.)

But I don't think that fear of technology is the point of Stanley Kubrick and Arthur C. Clarke's great film. It's about humans' interaction with technology, how it changes us. The first of the five "episodes" in the film shows a race of peaceful, veggie-eating apes (the precursor of man) as they slowly discover weapons and violence, which causes them to kill and eat meat. The film suggests that the introduction of the weapon itself caused the change.

Today, it's obvious that we're as obsessed with guns as the apes were with their sticks --and also that the introduction of guns causes people to be shot -- but the larger question is: would that violent tendency still be there without the weapons? Does the knowledge of weapons cause violence? And what change in the atmosphere took place to cause the apes to obtain that knowledge. Was it something alien, or Divine?

At the end of the sequence, the weapon in question -- a bone -- is tossed in the air and "changes" into a spaceship. Dr. Heywood R. Floyd (William Sylvester) wakes from a space shuttle flight, video-phones his daughter on her birthday, and addresses a stuffy-looking room full of guys in suits. Floyd is pretty stiff himself, and can't even muster anything human to say to his own daughter. Their physical distance equals their emotional distance. It's as if the cold, steel space technology has caused us to become cold and steely too.

Eighteen months later, astronauts Dave Bowman (Keir Dullea) and Frank Poole (Gary Lockwood) travel to Jupiter to take a look at the king-size monolith (a smaller one was found on the moon). Bowman and Poole make Floyd look like Bozo the Clown in the personality department. They're even colder and more remote than any of the humans we've seen so far. To drive the point home, Kubrick makes the HAL 9000 computer the warmest voice on the ship. Indeed, HAL is also the most passionate. He acts based on his own emotions.

Bowman goes on alone to the fourth and fifth episodes of the film, the psychedelic light show and the birth of the Star Child, and the (possible) hope for the future. But will the Star Child grow up with Bowman's boring genes, or will it become a more emotional creature? Or does emotional equal violent?

Here in the real 2001, we're still very much dealing with our own emotions, which still tend to pendulum back and forth to extremes: we embrace and destroy with equal passion. We're still mesmerized by our computers and the Internet, and computers even make all our movie special effects.

But if you ask me, Kubrick's effects in 2001: A Space Odyssey, which were made by human hands, are still unsurpassed. The inorganic digital surfaces of today's CGI (computer graphics imaging) creatures can't hold a candle to Kubrick's beautiful space vistas (choreographed to "The Blue Danube" and "Also Sprach Zarathustra") and space walks that grow increasingly elaborate as the film unfolds.

To put a point to it, these old-fashioned human effects strike our emotional chords (especially seen on the big screen) far more effectively than the machine made effects of today, which only serve to turn our brains -- and our imaginations -- off. Yet most people, critics and audiences included, continue to be "stunned" by CGI, even though it has not changed one bit since it was first used a decade ago in Terminator 2 and Jurassic Park. The general people have melded with the new technology.

I don't think this fascination will betray and destroy us like the HAL 9000 unit did its crew members, but I do think it will eat away a little more of our humanity. We shouldn't fear it, but we should use it cautiously, as we would use any technology. Kubrick's perfect combination of technology and humanity in 2001: A Space Odyssey stands as our example.

In 2018, director Christopher Nolan supervised a project to "unrestore" 2001 and release it in theaters the way it was seen in 1968, without any technical enhancements, and now Warner Bros. Home Entertainment has brought this version to Blu-ray. I was sent a three-disc set that contained a 4K Blu-ray disc, and I do not have the capacity to review those yet, so these notes will concentrate on the two regular Blu-ray discs in the set. Overall, I'd say this release is essential, even if you already own a version of 2001 already.

The movie looks utterly stunning, somehow warmer. There are two options for the English audio: a restored and remixed track, and the original 1968 audio, as well as many, many language and subtitle options. (I counted subtitles offered in 29 languages.) Most of the bonuses appeared on earlier releases, but they include: Bonus Features: Audio Commentary by Keir Dullea and Gary Lockwood; Featurettes: "2001: The Making of a Myth" (43 mins.), "Standing on the Shoulders of Kubrick: The Legacy of 2001" (21 mins.), "Vision of a Future Passed: The Prophecy of 2001" (21 mins.), "2001: A Space Odyssey: A Look Behind the Future" (23 mins.), "What Is Out There?" (21 mins.), "2001: FX and Conceptual Artwork" (10 mins.), and "Look: Stanley Kubrick!" (3 mins.); Audio Interview with Stanley Kubrick from 1966; Trailer; Liner notes booklet and still cards.